We may be talking about how an artist objectifies things, but this also might wander into feminism territory
So in Christina Rossetti's "In An Artist's Studio" the poem basically hints at the objectification artists have with their subjects. They don't really
see their subjects. They only see them physically and can't appreciate them for who they are or what it is. The painter in the poem can put the woman in any dress, design or atmosphere he wants to put her in, but he isn't acknowledging her as a human being and does not represent her as such. She's just a pretty object.
The additional forum question asked for our class was "Does artistic rendering naturally lead to objectification"
My answer: Yes. And No.
Now I'm at an advantage here in that I'm a bonefied artist. Or sorts, at least. I have an Associate degree in Visual Arts from OCCC. I was in Drawing I & II, Ceramics I & II, Painting I, as well as two other art classes. I had to do a lot of drawing and painting from objects.
Now, I never painted or drew a person (I opted out of this be volunteering to be the model). But I did draw a lot of objects and abstracts. I can definitely say that there is a lot of objectification or lack of feeling when it comes to simply drawing what is in front of you--especially if it's a non-living thing.
Example no.1
I felt nothing and saw nothing but paper bags. That's what this was. They were a bunch of paper bags stapled to the wall. The only emotion I felt was rage and the only wish I had was for someone to shoot me in the foot so that I could get out of the nightmare that was this mess. You can't really objectify this. Now you can feel really damn proud of it after your done (as I did) but you can't really humanize it very well.
Example no. 2
Again, you can't exactly objectify fake tree leaves touching each other. That being said it wasn't as if I didn't feel anything after the fact. I felt...happy. To me these two trees touching looked like two lovers who were finally able to connect, and I was able to capture the moment. But it's still an object and even though I had a vague backstory, it's not a person.
Now I haven't really painted or drawn people, so maybe my point is mute. But I have drawn my late dog, Rusty.
I can assure you that it wasn't objectified. I didn't draw this an object. I took the utmost care of it. I tried to get everything as right as I could. I felt like I needed to do this for myself and for my dog. I cried while drawing it, because I missed him (this was a reference from a picture). This was my little boy for 13 years.
So the answer is that, no, artists will not always naturally objectify things. It really depends on the subject and your relation to it.
As for the poem itself it probably was more than likely objectifying women. When you read Rossetti's poem "Goblin Market" it talks about girls staying away from the goblin men and being self-sufficient in saving each other. They didn't need saving. So it wouldn't be a surprise to see Rossetti making another poem dealing with a feminist topic such as objectification. Obviously not all men will objectify women in paintings. However in this poem he has painted her as a nameless girl, an angel, and a queen-- but he has not painted her as
her. She's always something or someone else. Artistically this isn't bad, and if the model is fine with this then there is no problem, but objectification can be a problem, especially if it's outside of an artistic realm and or without consent. Though the objectifications in these paintings mentioned in the poem aren't as damaging as placing your sister in the whore-seat in a novel or drawing her as a dumpster or slut, it still places women below the bar in that they aren't being recognized as equals-- as human beings with names and feelings.
So that's the objectivity in the poem, feminism, and also objectivity and lack there of in other bouts of art.
So, like the last journal, treat everyone equally. Be artistic but don't be an ass. Love people and love your creations.
Peace!